Seeing Tyrone

Tyrone is completed. This is probably the rare time when he will be truly visible. The painting was completed in less than three weeks. I really wanted this completed for the exhibit at Northwestern.

It will also transition my focus from Black men to senior citizens. After a short break I will begin Irene and Dennis.

Tyrone

Tyrone is nearing completion. All that remains is his pants and hood lining. This was one of the most challenging painting of the series. Not because of painting technique but because of his narrative and having to stare into his eyes. Of all the men in the series he is probably the most “invisible.”

I learned Tyrone’s story as I was assisting him with an online job application. He never had an email account or worked with computers and was trying to apply for jobs as a dishwasher. As we were setting up his email account I discovered he did not own a smartphone either. He will never read this blog page.

Tyrone grew up in Chicago. He dropped out of school in the seventh grade. He shared with me that he was arrested and went to prison for a gun possession. He has a felony conviction on his record. The lack of an education and a criminal record has prevented him from accessing many of the things we take for granted.

As I bring Tyrone into view it is easy to reflect on how one wrong choice can take a person down his path. This could have been me.

When the viewer looks very close into his bloodshot eyes, they will see their self reflected back.

Artist Talk

I needed to practice my Artist Talk so the senior center hosted a program featuring me and the Men on December 11. I brought four of the Men and the Serengeti painting. The chairs were arranged into a horseshoe to encourage conversation.

This was probably one of the rare occasions where this audience of senior white People talked about race and stereotypes. Many of them knew me as a volunteer and were surprised to learn I was an artist.

Today as I was leaving the center after a workout two of the attendees stopped me to chat about how much she enjoyed the talk and a previous experience where she stereotyped. The fact that she stopped me to chat let me know I’m doing important work with this art.

The gaze

I was sitting in the studio today having completed varnishing LaMar and decided to pull out the other paintings to review my progress. There is a distinction between how I approached each male with color and brushwork. Some have detailed strokes while others are flickers or markings. Fabrics vary among the men and each presented a unique challenge to capture.

What I was fixated on during the inspection was being surrounded by the collective gaze and the feelings it conjures. I’m sure the feelings will differ with each viewer and I hope they pay attention to the feelings. This is worth exploring and discussing in a group setting.

LaMar

The final painting before the Northwestern University exhibit. This was completed in three weeks. I met this brother at my Chicago exhibition in February 2016 and never knew his name or story. I’m really pleased with the combination of realism, color, and the size.

I named him LaMar.

Rashaun Rodney and Marshawn

The three men were completed on November 11 and I was able to relax for a week before resuming the last piece before the February 2018 show at Northwestern.

Between the brothas

I spent the first half of 2017 taking a break from (In)Visible Men to get this painting completed. The image was taken from my retirement trip to Tanzania to trek Mt. Kilimanjaro and safari in the Serengeti. These children were out walking in the savanna and approached us while we were looking at the termite pillar. I love how the figures look like the elongated carvings from some of the cultures there.